I'm afraid I went AWOL and spent a lot of time rather caught up in my studying. It took me a while to figure out a balance that menat I could continue reading and reviewing as much as I did.
I'm sorry.
I would like to say that I will be getting back to writing reviews! I have found the balance and found the time. I am letting my hands wander over my 'to be read' books and seeing what they'll grab on to.
Until then. Thank you for staying patient.
Saturday, 27 September 2014
Saturday, 6 April 2013
Modern Suburbia by Chris Merlo
This book is a fictional commentary on the shady underdoings of a modern, built up, suburban town somewhere in America.
The storyline itself is rather intriguing, with the author trying to show us that he can create a plausible crime/suspense novel based mainly in a town that, from the outside, seems quiet and normal. Obviously, that's not going to hold true though, as otherwise there wouldn't really be much of a story to write about.
Nathan is a hired transporter of not completely legal goods whom we first meet as he's being pulled over by a traffic officer for speeding. From there it just gets worse for Nathan and the people he's transporting for as he's dragged to jail and and fails to make the meet-up time.
As we are introduced to crooked fat cats, international terrorists and amazingly talented computer hackers you begin to see that no town is truly peaceful as Teal County's dirty little secrets are dragged into the light.
I thought the idea and storyline behind this novel were well thought out and rather intriguing. Unfortunately what could've been a good novel was let down into a mediocre one by the way it all came across. The style of setting the plot out to the reader seemed a bit too hurried to me and I felt I was being force fed too much description where it wasn't needed and not enough where I thought it was. It was as if Merlo was attempting to show he could be mysterious and lead the reader on but at the same time not lose your attention but it wasn't gone about in a way that was entirely plausible.
I almost feel that the author has some sort of vendetta against all law enforcement as there wasn't a single member of the force or jail system that wasn't a brute with a love for dishing out violence. Maybe I live a life too much on the right side of the law or in the wrong country to see that every police officer and jail guard has it out for lawbreakers and will find any excuse to beat them to a bloody pulp. It would be fine if it were just the odd one or two but making it the entire lot just made it too unbelievable for me.
The characters themselves are an interesting bunch, policemen notwithstanding, as they seem to show villainy in all walks of life, from the druggie girl (who, of course, comes from a broken home and is used to using her good looks) to the main character Nathan, who takes it upon himself to right a few wrongs in his own way and the big fat cat with his nice little cover of some corporate (large in a plush office) desk jockey. Mix in the FBI and the German Terrorist (sorry ladies, not Alan Rickman style) and it will lead to some explosive action and even a well written car chase.
This was an okay read that I was wishing would be good. I loved the idea and some of the scenes were brilliant. Unfortunately there were other moments where you'd have a scene interrupted for the next two paragraphs with a new character's life story (even in a sex scene?!) and it was not assumed that the reader could make their own conclusions but instead I felt as if I was being force fed exactly what I should think about a person. I do think there is such a thing as too much information if it keeps being beaten into you to hate a person or that someone is really rich (to describe every scene down to the last plush fibre of a carpet everytime said fat cat is in a room is a bit much, I get the hint).
The plot twists are well planned out, however. These do not suffer from information overload but are slowly eked out to keep you wondering and reading. To be honest I loved the book for its potential and would read a Chris Merlo novel again in the hope that these first time book issues have been ironed out as it's definitely worth keeping an eye on this Chris Merlo fellow.
The storyline itself is rather intriguing, with the author trying to show us that he can create a plausible crime/suspense novel based mainly in a town that, from the outside, seems quiet and normal. Obviously, that's not going to hold true though, as otherwise there wouldn't really be much of a story to write about.
Nathan is a hired transporter of not completely legal goods whom we first meet as he's being pulled over by a traffic officer for speeding. From there it just gets worse for Nathan and the people he's transporting for as he's dragged to jail and and fails to make the meet-up time.
As we are introduced to crooked fat cats, international terrorists and amazingly talented computer hackers you begin to see that no town is truly peaceful as Teal County's dirty little secrets are dragged into the light.
I thought the idea and storyline behind this novel were well thought out and rather intriguing. Unfortunately what could've been a good novel was let down into a mediocre one by the way it all came across. The style of setting the plot out to the reader seemed a bit too hurried to me and I felt I was being force fed too much description where it wasn't needed and not enough where I thought it was. It was as if Merlo was attempting to show he could be mysterious and lead the reader on but at the same time not lose your attention but it wasn't gone about in a way that was entirely plausible.
I almost feel that the author has some sort of vendetta against all law enforcement as there wasn't a single member of the force or jail system that wasn't a brute with a love for dishing out violence. Maybe I live a life too much on the right side of the law or in the wrong country to see that every police officer and jail guard has it out for lawbreakers and will find any excuse to beat them to a bloody pulp. It would be fine if it were just the odd one or two but making it the entire lot just made it too unbelievable for me.
The characters themselves are an interesting bunch, policemen notwithstanding, as they seem to show villainy in all walks of life, from the druggie girl (who, of course, comes from a broken home and is used to using her good looks) to the main character Nathan, who takes it upon himself to right a few wrongs in his own way and the big fat cat with his nice little cover of some corporate (large in a plush office) desk jockey. Mix in the FBI and the German Terrorist (sorry ladies, not Alan Rickman style) and it will lead to some explosive action and even a well written car chase.
This was an okay read that I was wishing would be good. I loved the idea and some of the scenes were brilliant. Unfortunately there were other moments where you'd have a scene interrupted for the next two paragraphs with a new character's life story (even in a sex scene?!) and it was not assumed that the reader could make their own conclusions but instead I felt as if I was being force fed exactly what I should think about a person. I do think there is such a thing as too much information if it keeps being beaten into you to hate a person or that someone is really rich (to describe every scene down to the last plush fibre of a carpet everytime said fat cat is in a room is a bit much, I get the hint).
The plot twists are well planned out, however. These do not suffer from information overload but are slowly eked out to keep you wondering and reading. To be honest I loved the book for its potential and would read a Chris Merlo novel again in the hope that these first time book issues have been ironed out as it's definitely worth keeping an eye on this Chris Merlo fellow.
Friday, 22 February 2013
Bob Moore: Hostile Territory by Tom Andry
He's back! After the chaos of his last adventure Bob Moore, PI, is back in the saddle, so to speak.
I will state here that if you haven't read the previous books then there will be mentions of plot spoilers ahead. Also, why are you skipping to the third book in the series? Seriously, who does that?
Still reeling after his previous adventure it appears at first that our flawed private investigator has found his niche working undercover. The only issue being a slight lack in his accounting skills. However, we should all know by now that nothing is ever as simple as it should be. With the tragedy of Nineteen still on his mind, his new leg and feet being constant reminders of his reasons for hating Supers and an unexpected visit from the United State's Vice President with an offer that he could happily turn down you wonder if this poor man really needs to have people stalking him as well? He really does attract trouble and Mind is no help with her hilariously sarcastic responses and almost constant nagging.
With two ambassadors disappearing from the Supers' newest annoyance to Bob, the Super City, he is tasked with finding out what happened and to do so he must pose as the third US Ambassador. Obviously he's the poster boy for public relations and the like. Put a politician from every country in the world together and there will be squabbles, alliances and behind closed doors pacts made and that is what Bob has been thrown into. Now remember that this is a guy who has annoyed pretty much all the powerful Supers that are left and he's now on a floating city full of them!
You'd think for someone like Bob this would be enough to have him emptying the not so mini mini-bar but no, wait! There's more. Let's just throw in the mere idea of someone from his past that isn't his ex-wife and watch him squirm. Although the squirming around his ex-wife is pretty fun to watch anyway. This is definitely a hint to grab some popcorn and pull up a chair.
Andry has done a brilliant job of pulling together influences from popular culture and blending it with his own unique creativity to really sell the believability of this world and it's inhabitants. The idea of a superhero or main character of a storyline being untouchable was discarded a long time ago and Mr Andry has been sure to keep it in the history books. You have an alcohol dependent, overweight main character, the females leads will never be someone you'll want to mess with or imagine as damsels in distress and, would you believe it, even the secondary characters feel fleshed out and cared for. The Supers are never to be considered as safe, not in these books, and to be the spectator as they realise that is not fun or uplifting but it sure as heck keeps you on the edge of your seat.
I thoroughly enjoyed this series, despite the shortness of the books (quality over quantity), and it's clear that there is a lot of research done to make some of the scenarios more believable (not so much believing I'll see anyone fly past my window anytime soon mind). There are enough plot twists to make you wonder and question your own feelings towards certain characters and, I'll be honest, I even put the book down and refused to believe what I was reading at one point.
I recommend this as a must read for those who like action, adventure and just a bit of an exciting romp through a fantastical world not completely dissimilar from ours when it all boils down to basics.
For Tom Andry's website go here: www.tomandry.com
To buy this book, Kindle edition, click here or for the UK price without working out the exchange rate yourself go here .
For other versions (ie: if you haven't got a Kindle) then here is the Smashwords link!
Seriously, use these links and buy this eBook!!
I will state here that if you haven't read the previous books then there will be mentions of plot spoilers ahead. Also, why are you skipping to the third book in the series? Seriously, who does that?
Still reeling after his previous adventure it appears at first that our flawed private investigator has found his niche working undercover. The only issue being a slight lack in his accounting skills. However, we should all know by now that nothing is ever as simple as it should be. With the tragedy of Nineteen still on his mind, his new leg and feet being constant reminders of his reasons for hating Supers and an unexpected visit from the United State's Vice President with an offer that he could happily turn down you wonder if this poor man really needs to have people stalking him as well? He really does attract trouble and Mind is no help with her hilariously sarcastic responses and almost constant nagging.
With two ambassadors disappearing from the Supers' newest annoyance to Bob, the Super City, he is tasked with finding out what happened and to do so he must pose as the third US Ambassador. Obviously he's the poster boy for public relations and the like. Put a politician from every country in the world together and there will be squabbles, alliances and behind closed doors pacts made and that is what Bob has been thrown into. Now remember that this is a guy who has annoyed pretty much all the powerful Supers that are left and he's now on a floating city full of them!
You'd think for someone like Bob this would be enough to have him emptying the not so mini mini-bar but no, wait! There's more. Let's just throw in the mere idea of someone from his past that isn't his ex-wife and watch him squirm. Although the squirming around his ex-wife is pretty fun to watch anyway. This is definitely a hint to grab some popcorn and pull up a chair.
Andry has done a brilliant job of pulling together influences from popular culture and blending it with his own unique creativity to really sell the believability of this world and it's inhabitants. The idea of a superhero or main character of a storyline being untouchable was discarded a long time ago and Mr Andry has been sure to keep it in the history books. You have an alcohol dependent, overweight main character, the females leads will never be someone you'll want to mess with or imagine as damsels in distress and, would you believe it, even the secondary characters feel fleshed out and cared for. The Supers are never to be considered as safe, not in these books, and to be the spectator as they realise that is not fun or uplifting but it sure as heck keeps you on the edge of your seat.
I thoroughly enjoyed this series, despite the shortness of the books (quality over quantity), and it's clear that there is a lot of research done to make some of the scenarios more believable (not so much believing I'll see anyone fly past my window anytime soon mind). There are enough plot twists to make you wonder and question your own feelings towards certain characters and, I'll be honest, I even put the book down and refused to believe what I was reading at one point.
I recommend this as a must read for those who like action, adventure and just a bit of an exciting romp through a fantastical world not completely dissimilar from ours when it all boils down to basics.
For Tom Andry's website go here: www.tomandry.com
To buy this book, Kindle edition, click here or for the UK price without working out the exchange rate yourself go here .
For other versions (ie: if you haven't got a Kindle) then here is the Smashwords link!
Seriously, use these links and buy this eBook!!
Wednesday, 12 December 2012
The Descendants by Kaui Hart Hemmings **possible spoilers**
This book follows a family having to cope with a tragedy in their lives. The husband, Matt King, is forced into a position where he has to take care of two daughters he barely knows whilst also dealing with the fact that his thrill seeking wife is lying in a coma with little chance of recovery. Add on to this the fact that he has cousins all grasping for various amounts of money from his large family business that he doesn't care for and you just know that it's going to be a rather interesting journey.
The story starts with the wife, Joanie, already in the coma and Matt being confronted with the fact that he is a poor father when it comes to dealing with the every day things necessary when caring for a child. He had obviously been a stay-away dad due to work and business and it is there as an under-current throughout the book. Things are made worse when he is informed by the doctor that Joanie will never wake up and had made a living will where she did not want to be kept alive by machines.
Right from the beginning you can sense that these are not the only problems this family will face, and you'd think they would be enough for anyone, and there are revelations and realisations that jump up and slap these people in the face (one or two punches too) throughout the book. This is a real tragicomedy, at times you find yourself laughing at some dry humour and then stop yourself as you remember the feelings behind the comment.
Matt King is a father who doesn't have a clue and a husband who hid in obliviousness. His business kept him away from his family to the point where he doesn't recognise who his daughters have grown into, one a precocious, spoilt bully and the other a recovering drug addict who'd been sent away to boarding school. Most of the humour, tinged with guilt or sadness, is based around his attempts to make up for his time away, trying to grab hold of little children he thought he knew but instead getting the older versions who don't even think they need him. The children are definitely the more intriguing of the characters.
Whilst there is a main plot twist that is focused on I found myself more interested just reading the family dynamics as they change and evolve, not a normal family but definitely better than they were before the tragedy.
This is a lovely book, if set around tragic circumstances, about different family members with different coping mechanisms and all with their own secrets who go off on a slightly different sort of 'family holiday'. I feel that the character of Matt King could have been expanded upon in that it was all too perfect - his only flaw was his total obliviousness to what was happening and even that's turned to his advantage at times.
I would recommend this for a holiday read, or for a book on a flight. It's not too long but will keep you reading.
The story starts with the wife, Joanie, already in the coma and Matt being confronted with the fact that he is a poor father when it comes to dealing with the every day things necessary when caring for a child. He had obviously been a stay-away dad due to work and business and it is there as an under-current throughout the book. Things are made worse when he is informed by the doctor that Joanie will never wake up and had made a living will where she did not want to be kept alive by machines.
Right from the beginning you can sense that these are not the only problems this family will face, and you'd think they would be enough for anyone, and there are revelations and realisations that jump up and slap these people in the face (one or two punches too) throughout the book. This is a real tragicomedy, at times you find yourself laughing at some dry humour and then stop yourself as you remember the feelings behind the comment.
Matt King is a father who doesn't have a clue and a husband who hid in obliviousness. His business kept him away from his family to the point where he doesn't recognise who his daughters have grown into, one a precocious, spoilt bully and the other a recovering drug addict who'd been sent away to boarding school. Most of the humour, tinged with guilt or sadness, is based around his attempts to make up for his time away, trying to grab hold of little children he thought he knew but instead getting the older versions who don't even think they need him. The children are definitely the more intriguing of the characters.
Whilst there is a main plot twist that is focused on I found myself more interested just reading the family dynamics as they change and evolve, not a normal family but definitely better than they were before the tragedy.
This is a lovely book, if set around tragic circumstances, about different family members with different coping mechanisms and all with their own secrets who go off on a slightly different sort of 'family holiday'. I feel that the character of Matt King could have been expanded upon in that it was all too perfect - his only flaw was his total obliviousness to what was happening and even that's turned to his advantage at times.
I would recommend this for a holiday read, or for a book on a flight. It's not too long but will keep you reading.
Labels:
book review,
Kaui Hart Hemmings,
The Descendants
Thursday, 13 September 2012
The Phantom Of The Opera - Gaston Leroux
Having seen the show and the more modern film I thought it was a crying shame that I had yet to read the book that started it all.
For those who don't know; this is a story of tragedy and (occasionally unrequited) love. It's so hard for me to write about this book as it's always been in the background of my mind for me and now I find myself back to the root of what started it and, whilst this was a lovely read, it was slightly disappointing as it didn't quite live up to the hype I'd piled on it. Not to say it isn't a good book though but, as has been the case with the book for most of it's history, it has always been overshadowed by stage & screen (there were moments it even went out of print in the twentieth cent.).
This Gothic romance tells the story of a a chorus girl caught in a love triangle between the Opera Ghost, Erik, and the French nobleman she knew from her childhood, Raoul. As this story progresses Christine becomes an amazing opera singer who is even used as a replacement for the Prima Donna, this she attributes to her 'Angel of Music', who she wholeheartedly believes in being an angel.
This novel starts off in an investigative format, with the author setting the idea that what he is writing is an article to disprove the idea of the Opera House being haunted by a ghost and, what's more, that the same man (for he states he believes it's a human) is responsible for the disappearances and deaths that occurred around the same time the 'ghost's' activities were at it's highest. Leroux uses the idea of the unnamed author/investigative journalist to introduce us to the only character left who can really tell the story of what happened, including insights into the Phantom's previous life that's not been brought up on stage or on screen.
For those who have never read the book but been exposed to the story in another way, like myself, you may be forgiven for thinking that this is just a classic french tale of romance with just a touch of angst thrown in - but wait!! This book is not only romance but also a fine example of a gothic horror at the time of being written. You have a ghost that is never really seen except for his actions, he has the ability to be all over the opera house & yet not be caught. At the same time there is a young, impressionable girl caught up in the thrall of this unseen Angel of Music with an infatuated old friend trying to save her from his grasp.
Although I believed this to be a well known story I found parts that were completely new to me and put the whole thing in a different light. It was a lot more horrifying and terrifying than I thought and the romance seemed, at times, to play second fiddle to the phantom's devious acts.
Although I found Erik to be well written I must confess to believing that Raoul and Christine seemed to only be written as two-dimensional characters for Leroux to compare Erik against. They had moments but most of the time they fell flat and couldn't hide from the fact that they really were just supporting characters in this tale about a man's descent into darkness, literally and figuratively, as he tried to hold onto the light the only way he knew how.
I enjoyed this book, though at times it was slow due to the style of writing, and for such a short read (I thought it'd be a lot longer) it ould definitely hold it's own, probably why it's become a classic!
I recommend this book to anyone who has enjoyed the various adaptations of this story as it will give you a whole new outlook. Also a good read for lovers of the gothic novels.
For those who don't know; this is a story of tragedy and (occasionally unrequited) love. It's so hard for me to write about this book as it's always been in the background of my mind for me and now I find myself back to the root of what started it and, whilst this was a lovely read, it was slightly disappointing as it didn't quite live up to the hype I'd piled on it. Not to say it isn't a good book though but, as has been the case with the book for most of it's history, it has always been overshadowed by stage & screen (there were moments it even went out of print in the twentieth cent.).
This Gothic romance tells the story of a a chorus girl caught in a love triangle between the Opera Ghost, Erik, and the French nobleman she knew from her childhood, Raoul. As this story progresses Christine becomes an amazing opera singer who is even used as a replacement for the Prima Donna, this she attributes to her 'Angel of Music', who she wholeheartedly believes in being an angel.
This novel starts off in an investigative format, with the author setting the idea that what he is writing is an article to disprove the idea of the Opera House being haunted by a ghost and, what's more, that the same man (for he states he believes it's a human) is responsible for the disappearances and deaths that occurred around the same time the 'ghost's' activities were at it's highest. Leroux uses the idea of the unnamed author/investigative journalist to introduce us to the only character left who can really tell the story of what happened, including insights into the Phantom's previous life that's not been brought up on stage or on screen.
For those who have never read the book but been exposed to the story in another way, like myself, you may be forgiven for thinking that this is just a classic french tale of romance with just a touch of angst thrown in - but wait!! This book is not only romance but also a fine example of a gothic horror at the time of being written. You have a ghost that is never really seen except for his actions, he has the ability to be all over the opera house & yet not be caught. At the same time there is a young, impressionable girl caught up in the thrall of this unseen Angel of Music with an infatuated old friend trying to save her from his grasp.
Although I believed this to be a well known story I found parts that were completely new to me and put the whole thing in a different light. It was a lot more horrifying and terrifying than I thought and the romance seemed, at times, to play second fiddle to the phantom's devious acts.
Although I found Erik to be well written I must confess to believing that Raoul and Christine seemed to only be written as two-dimensional characters for Leroux to compare Erik against. They had moments but most of the time they fell flat and couldn't hide from the fact that they really were just supporting characters in this tale about a man's descent into darkness, literally and figuratively, as he tried to hold onto the light the only way he knew how.
I enjoyed this book, though at times it was slow due to the style of writing, and for such a short read (I thought it'd be a lot longer) it ould definitely hold it's own, probably why it's become a classic!
I recommend this book to anyone who has enjoyed the various adaptations of this story as it will give you a whole new outlook. Also a good read for lovers of the gothic novels.
Labels:
Book,
book review,
Gaston Leroux,
Phantom Of The Opera
Friday, 20 July 2012
Tony Hogan Bought Me An Ice Cream Float Before He Stole My Ma by Kerry Hudson
Janie Ryan is born to a long line of Aberdeen fish wives and into a childhood of living in hostels, B&Bs and council estates. This book follows the trials and tribulations of growing up with a mother who, whilst always wanting to provide the best for her child, has poor taste in men and really does get close to hitting rock bottom all shown through the eyes of a child.
The book starts with the birth of the latest Ryan woman, who's father is a mysterious, married American, and it is from there that things are seen to go downhill with her first 4 weeks in this world being spent in a women's help centre. This is Janie's first introduction as to what to expect in her life and, to begin with, she sees it all with the childish innocence that makes it seem all that much worse for the reader.
As fear and shame are gradually introduced into her life far too soon for our liking she comes to see the differences between her family and home compared to others, usually coming out worse. This, however, is a slow process and throughout most of the book I'd say that her innocence protects Janie from what could've been some devastating truths for a young girl. Eventually though the bitterness and awareness win out and the last third of the book is told through the eyes of an angry, teenage cynic who see's her mum as she really is and doesn't want to become her, despite the groups and habits she falls into.
There are some really touching moments in this book that push the reader along to read 'just one more page' until you find you're at the end and, for me any rate, very grateful for having the family I have. I found Janie to be a character that I started to invest my feelings in as I followed her through her childhood. Ms Hudson does well to make sure the reader relates and empathises with Janie as well as her mum and you find yourself hoping that the next move and the next guy will be the right one for all of them.
On the surface this appears to be a tale of woe about a single mother being given all the short straws and the daughter having to suffer too. If you look deeper, however, it's a tale about the strength of a bond between a mother and her child, how it didn't matter how bad things got for her because she could handle it as long as she had her daughter with her and knew she was safe.
This is a very interesting read and an emotional piece of modern fiction that gives the reader an insight into a life which they possibly have never had to experience. It leaves you hoping for more, hoping for better and really hoping that Janie Ryan does good with her life. Kerry Hudson has managed to make a potentially depressing subject into something laced with wit and occasionally humourous observations.
What makes this all the more interesting is that the 'About The Author' bit in the back of the book lets us know that Kerry Hudson is not writing this without any knowledge of her subject but has lived in council estates and B&Bs (and I really hope that's as far as her knowledge goes because some of it is heart wrenching) so you just know that she knows.
I recommend this book for anyone looking to pick up a new author (her twitter mentions she's working on a second book so she hopefully isn't a 'one-time appearance' sorta woman) as well as people who are interested in modern fiction that isn't just women sipping wine in their flats, deciding to take on the world and picking up a guy on the way - this is a far more interesting and thought provoking stance on the genre.
The book starts with the birth of the latest Ryan woman, who's father is a mysterious, married American, and it is from there that things are seen to go downhill with her first 4 weeks in this world being spent in a women's help centre. This is Janie's first introduction as to what to expect in her life and, to begin with, she sees it all with the childish innocence that makes it seem all that much worse for the reader.
As fear and shame are gradually introduced into her life far too soon for our liking she comes to see the differences between her family and home compared to others, usually coming out worse. This, however, is a slow process and throughout most of the book I'd say that her innocence protects Janie from what could've been some devastating truths for a young girl. Eventually though the bitterness and awareness win out and the last third of the book is told through the eyes of an angry, teenage cynic who see's her mum as she really is and doesn't want to become her, despite the groups and habits she falls into.
There are some really touching moments in this book that push the reader along to read 'just one more page' until you find you're at the end and, for me any rate, very grateful for having the family I have. I found Janie to be a character that I started to invest my feelings in as I followed her through her childhood. Ms Hudson does well to make sure the reader relates and empathises with Janie as well as her mum and you find yourself hoping that the next move and the next guy will be the right one for all of them.
On the surface this appears to be a tale of woe about a single mother being given all the short straws and the daughter having to suffer too. If you look deeper, however, it's a tale about the strength of a bond between a mother and her child, how it didn't matter how bad things got for her because she could handle it as long as she had her daughter with her and knew she was safe.
This is a very interesting read and an emotional piece of modern fiction that gives the reader an insight into a life which they possibly have never had to experience. It leaves you hoping for more, hoping for better and really hoping that Janie Ryan does good with her life. Kerry Hudson has managed to make a potentially depressing subject into something laced with wit and occasionally humourous observations.
What makes this all the more interesting is that the 'About The Author' bit in the back of the book lets us know that Kerry Hudson is not writing this without any knowledge of her subject but has lived in council estates and B&Bs (and I really hope that's as far as her knowledge goes because some of it is heart wrenching) so you just know that she knows.
I recommend this book for anyone looking to pick up a new author (her twitter mentions she's working on a second book so she hopefully isn't a 'one-time appearance' sorta woman) as well as people who are interested in modern fiction that isn't just women sipping wine in their flats, deciding to take on the world and picking up a guy on the way - this is a far more interesting and thought provoking stance on the genre.
Wednesday, 20 June 2012
50 Shades of grey by E. L. James **possible spoilers**
WARNING: Mature content will be mentioned & mature language in quotes used as this is a mature book.
There is a section in this book where the male character claims that he is 'Fifty shades of fucked up' and I'll be honest - that's an accurate description for this book and the entire premise behind it.
I thought it was worth me reading at least the first book in the trilogy so that I could form an honest opinion based on actual knowledge instead of listening to hearsay - In a way I'm glad I did that but I would've been happier avoiding it and the furore surrounding it and just carried on with reading Les Miserables.
This is definitely a 'Marmite' book - you'll either love it or hate it. I am now going to try to keep my anger to a minimum in order to not just sound like some harpy spewing hatred through this blog.
The story behind this (I know, there is a story folks, it's not just about BDSM and a virgin who can then have orgasms at the drop of a hat!) follows a completely innocent & naieve 21 year old Anastasia Steele who finds herself interviewing the suave, sophisticated, drop dead gorgeous, billionaire Christian Grey. There is chemistry between them and Mr Grey has taken a definite interest in Ana, showering her with expensive gifts and treating her to helicopter rides. This all culminates in him introducing her to the BDSM lifestyle in the hope that she will accept him and this lifestyle in order to stay with him. However, it must be noted, he doesn't 'do' relationships. It is an arrangement - contract drawn up and everything - that he'd like her to agree to.
What follows is Ana becoming emotional, confused, eager and curious as she debates with herself whether this is something that she really wants. She does work out halfway through that, whilst this may scare her, it will let her be with Mr Grey and that's all that matters to her.
Now, whilst the idea behind this book is a good one, I found there were a few too many instances that had me gritting my teeth and feeling like I was the only one who saw this as a bad way to start any relationship with another person (I'm not talking about relationship in it's romantic sense, I mean what exists between two people getting to know each other). I found the characters were too predictable and cliche. With Ana being your typical clueless main character who admires her best friend for being able to attract all the men but not being able to see that every guy she's come into contact with has fallen head over heels for her and Christian being the billionaire, untouchable, looks to die for guy who happens to have a dark past that's hidden from the world it just all seemed a bittoo predictable and unbelievable.
Throughout this book Ana believes that if she goes with what Christian wants (despite her trying to appear as an independent, strong young woman) then she'll be able to do what no other woman has yet managed and change the unfeeling Mr Grey. This is not a good idea for a woman to take away from this book (yes, it's fictional, but people do still look for lessons to take away) as if I had a man find out where I lived and worked after our first meeting, tracked my mobile phone after our second and then find out where my mother lived and 'conveniently' end up staying in a hotel where my mum and I were drinking - my thoughts would not be running along the lines of 'Oh how romantic'. I also would not be willing to overlook his actions and emotional/sexual manipulations just because he's more knowledgeable than I am - there should be something along the lines of common sense telling me to get out (oh wait, she did want a break from him to think about it but then he followed her).
In my mind there is nothing normal or healthy about what happens between these two in this book but it is made acceptable with the reasoning that Mr Grey was abused when he was younger so he can take it out on any woman who falls under his spell.
What the author initially had here was a good idea for a plot, unfortunately the lack of character building, some rose tinted glasses on certain actions and some rather immature writing let her down. It felt choppy and hard to get into - in fact the best written parts were, surprisingly, the erotic scene, although I have read many people's comments on how it was poorly portrayed and threw a dark light on the BDSM lifestyle and as I personally have no knowledge of this I will refrain from commenting.
All in all I did not enjoy this book at all (as those who have read my social networking posts can attest to) and will not be continuing on to the next book. However, if you are able to gloss over the poor writing and two-dimensional characters as well as passing off questionable actions on just a guy being in love then please, pick this book up. If you want a quick, steamy read and have read the blurb and what others have said and feel it's for you - pick it up. This is just my own personal take on the book and I did not care for it.
There is a section in this book where the male character claims that he is 'Fifty shades of fucked up' and I'll be honest - that's an accurate description for this book and the entire premise behind it.
I thought it was worth me reading at least the first book in the trilogy so that I could form an honest opinion based on actual knowledge instead of listening to hearsay - In a way I'm glad I did that but I would've been happier avoiding it and the furore surrounding it and just carried on with reading Les Miserables.
This is definitely a 'Marmite' book - you'll either love it or hate it. I am now going to try to keep my anger to a minimum in order to not just sound like some harpy spewing hatred through this blog.
The story behind this (I know, there is a story folks, it's not just about BDSM and a virgin who can then have orgasms at the drop of a hat!) follows a completely innocent & naieve 21 year old Anastasia Steele who finds herself interviewing the suave, sophisticated, drop dead gorgeous, billionaire Christian Grey. There is chemistry between them and Mr Grey has taken a definite interest in Ana, showering her with expensive gifts and treating her to helicopter rides. This all culminates in him introducing her to the BDSM lifestyle in the hope that she will accept him and this lifestyle in order to stay with him. However, it must be noted, he doesn't 'do' relationships. It is an arrangement - contract drawn up and everything - that he'd like her to agree to.
What follows is Ana becoming emotional, confused, eager and curious as she debates with herself whether this is something that she really wants. She does work out halfway through that, whilst this may scare her, it will let her be with Mr Grey and that's all that matters to her.
Now, whilst the idea behind this book is a good one, I found there were a few too many instances that had me gritting my teeth and feeling like I was the only one who saw this as a bad way to start any relationship with another person (I'm not talking about relationship in it's romantic sense, I mean what exists between two people getting to know each other). I found the characters were too predictable and cliche. With Ana being your typical clueless main character who admires her best friend for being able to attract all the men but not being able to see that every guy she's come into contact with has fallen head over heels for her and Christian being the billionaire, untouchable, looks to die for guy who happens to have a dark past that's hidden from the world it just all seemed a bittoo predictable and unbelievable.
Throughout this book Ana believes that if she goes with what Christian wants (despite her trying to appear as an independent, strong young woman) then she'll be able to do what no other woman has yet managed and change the unfeeling Mr Grey. This is not a good idea for a woman to take away from this book (yes, it's fictional, but people do still look for lessons to take away) as if I had a man find out where I lived and worked after our first meeting, tracked my mobile phone after our second and then find out where my mother lived and 'conveniently' end up staying in a hotel where my mum and I were drinking - my thoughts would not be running along the lines of 'Oh how romantic'. I also would not be willing to overlook his actions and emotional/sexual manipulations just because he's more knowledgeable than I am - there should be something along the lines of common sense telling me to get out (oh wait, she did want a break from him to think about it but then he followed her).
In my mind there is nothing normal or healthy about what happens between these two in this book but it is made acceptable with the reasoning that Mr Grey was abused when he was younger so he can take it out on any woman who falls under his spell.
What the author initially had here was a good idea for a plot, unfortunately the lack of character building, some rose tinted glasses on certain actions and some rather immature writing let her down. It felt choppy and hard to get into - in fact the best written parts were, surprisingly, the erotic scene, although I have read many people's comments on how it was poorly portrayed and threw a dark light on the BDSM lifestyle and as I personally have no knowledge of this I will refrain from commenting.
All in all I did not enjoy this book at all (as those who have read my social networking posts can attest to) and will not be continuing on to the next book. However, if you are able to gloss over the poor writing and two-dimensional characters as well as passing off questionable actions on just a guy being in love then please, pick this book up. If you want a quick, steamy read and have read the blurb and what others have said and feel it's for you - pick it up. This is just my own personal take on the book and I did not care for it.
Labels:
50 Shades Of Grey,
book review,
E. L. James
Wednesday, 13 June 2012
North and South by Elizabeth Gaskell
I have a confession to make, before realising this was a book I first saw this as the BBC TV adaptation and fell in love with it (no, of course it had nothing to do with Richard Armitage playing the lead male character, I'm offended by your insinuations). although the books and their screen adaptations always vary I knew that this was a book I HAD to read.
Now, I should first like to note that, at the start of my copy there was a preface mentioning that N&S originally came out as entries in a newspaper and so Elizabeth did not feel she had included everything she could and some vital parts to the story had to be omitted, this was corrected in some parts when she was to have the book published but at other parts it does feel that some of it has been rushed *cough* the ending *cough*.
The story follows Margaret Hale as she moves back to live with her parents in her beloved old parish home in Helstone only to be faced with leaving it as her father, the vicar, has a crisis of conscience (not faith, he doesn't lose his faith only finds that his views on it differ from the church's - or something like that, not completely explained).
With their income cut down, and unable to live in the cottage as it is for the parish priest, the Hale's must find a place that is affordable and all signs point to that place being up in the North of England (as opposed to the South where they currently reside). By contacting an old friend Mr Hale finds them a good deal on a house but apart from that it appears that responsibility for everything else falls on Margaret and this seems to remain one of the underlying themes throughout the book.
The differences between the manufacturing North and the agrarian South are made clearly evident through Margaret's eyes, at first as she favours her home the south, and is obviously looking at it through fond memories and rose tinted spectacles. This comes in direct contrast with our male lead character, Mr Thornton, who is a Milton man born and bred and is the epitome of the what Gaskell believes the north stands for; someone who has worked his way from destitution to a place of prominence in the eyes of the other mill owners, who is sought for advice and known for being honest and open. The south is represented in a softer, kinder way that relies a lot on words and less on action, where it would seem the (supposedly) warmer climate and more laid back way of life has become a part of the people themselves.
What follows is a story of understanding, love, tragedy, friendship and one or two things that made me get a bit teary as well as Gaskell's more political views on class barriers, how women are perceived and expected to act as well as the relationship between an employer and his employees. These are usually the lines Austen refuses to step over and barely hints at with her well-veiled hints at her political standings covered in lines of poetic descriptions and fun, light hearted debates.
I found this book to be just as enjoyable, if not moreso, than the BBC adaptation - and I love the adaptation (seriously, it's not all about Armitage, I swear!). Gaskell delivers a work that reminds you of Austen but goes deeper into the personalities and psyches of the main character. Where Austen gives you a strong-willed heroine Gaskell adds on the deeper thoughts this woman has. At some points I truly felt sorry for Margaret, at others I wanted to slap her before then acknowledging that maybe she had a point. Mr Thornton is not just there to be the male lead who has the ladies at his feet but has a brain and business sense that would make even your modern day man proud.
Managing to grasp the changing moods of the time, Gaskell really doesn't sugar coat too much for the poor readers delicate senses at the time, although nowadays we'd barely bat an eye at some of the descriptions of the slums, but then we have history lessons and resources to draw on to already have an idea of how bad it really was.
A brilliant read that will stay with me for a long while. I recommend this to anyone who enjoys fiction from this time period and if you happen to get your hands on the BBC adaptation after reading this I suggest chucking out th other half when watching it!
Now, I should first like to note that, at the start of my copy there was a preface mentioning that N&S originally came out as entries in a newspaper and so Elizabeth did not feel she had included everything she could and some vital parts to the story had to be omitted, this was corrected in some parts when she was to have the book published but at other parts it does feel that some of it has been rushed *cough* the ending *cough*.
The story follows Margaret Hale as she moves back to live with her parents in her beloved old parish home in Helstone only to be faced with leaving it as her father, the vicar, has a crisis of conscience (not faith, he doesn't lose his faith only finds that his views on it differ from the church's - or something like that, not completely explained).
With their income cut down, and unable to live in the cottage as it is for the parish priest, the Hale's must find a place that is affordable and all signs point to that place being up in the North of England (as opposed to the South where they currently reside). By contacting an old friend Mr Hale finds them a good deal on a house but apart from that it appears that responsibility for everything else falls on Margaret and this seems to remain one of the underlying themes throughout the book.
The differences between the manufacturing North and the agrarian South are made clearly evident through Margaret's eyes, at first as she favours her home the south, and is obviously looking at it through fond memories and rose tinted spectacles. This comes in direct contrast with our male lead character, Mr Thornton, who is a Milton man born and bred and is the epitome of the what Gaskell believes the north stands for; someone who has worked his way from destitution to a place of prominence in the eyes of the other mill owners, who is sought for advice and known for being honest and open. The south is represented in a softer, kinder way that relies a lot on words and less on action, where it would seem the (supposedly) warmer climate and more laid back way of life has become a part of the people themselves.
What follows is a story of understanding, love, tragedy, friendship and one or two things that made me get a bit teary as well as Gaskell's more political views on class barriers, how women are perceived and expected to act as well as the relationship between an employer and his employees. These are usually the lines Austen refuses to step over and barely hints at with her well-veiled hints at her political standings covered in lines of poetic descriptions and fun, light hearted debates.
I found this book to be just as enjoyable, if not moreso, than the BBC adaptation - and I love the adaptation (seriously, it's not all about Armitage, I swear!). Gaskell delivers a work that reminds you of Austen but goes deeper into the personalities and psyches of the main character. Where Austen gives you a strong-willed heroine Gaskell adds on the deeper thoughts this woman has. At some points I truly felt sorry for Margaret, at others I wanted to slap her before then acknowledging that maybe she had a point. Mr Thornton is not just there to be the male lead who has the ladies at his feet but has a brain and business sense that would make even your modern day man proud.
Managing to grasp the changing moods of the time, Gaskell really doesn't sugar coat too much for the poor readers delicate senses at the time, although nowadays we'd barely bat an eye at some of the descriptions of the slums, but then we have history lessons and resources to draw on to already have an idea of how bad it really was.
A brilliant read that will stay with me for a long while. I recommend this to anyone who enjoys fiction from this time period and if you happen to get your hands on the BBC adaptation after reading this I suggest chucking out th other half when watching it!
Labels:
book review,
Elizabeth Gaskell,
North and South
First Men In The Moon by H. G. Wells
One of H. G. Wells lesser known books (in comparison to the
likes of The Time Machine, The Invisible Man, War of The Worlds) I still
thought it was worth going into it with the feelings that reading his other
books gave me.
First off I’d like everyone to remember that this book was
published in 1901 and, as with many of Wells’ books, he is well ahead of his
time.
Set in England, Wells introduces us to Bedford – a man who’s
trying to find an easy way to earn money to pay off the debt collectors chasing
him. He decides upon writing a play, as he believes it to be relatively easy
(someone really should’ve told him the truth) but becomes distracted by a
figure out of his window.
This eventually introduces him to Professor Cavor, your
run-of-the-mill eccentric scientist who has just hit upon an idea for an
invention but has no idea what to do with it. This is where Bedford spots a
business investment and a way to not only pay off his bad debt but to also make
themselves rich. The new invention is Cavorite, a material that can block ‘gravity
waves’ thus making the object float after the correct scientific treatment. To
his credit, Wells doesn't do a Verne and try to go into great scientific explanations, making his narrative character excuse himself as the man with the business brains and not the scientific one.
Bedford and the professor (mainly the professor) come up with a plan to make a sphere container out of the material that's large enough to carry them and some supplies up to the moon. With a large explosion and then some very complicated shutter opening and closing in certain sequences the two eventually find themselves on the cold satellite. At first all is as it would appear to the reader of the time, freezing cold, rocky with minimum atmosphere, just enough to be breathable. It isn't until the sun shines that things start to change. With quick growing flora sprouting up the two men suddenly find themselves on a wholly different world and the events that ensue would've caused some readers of the time to look at this familiar rock in their night skies in a different way.
Some of the aspects in this book were very much ahead of Wells' time and I enjoy being able to look back with my 21st Century knowledge and marvel at how things were perceived, either accurately or differently from the reality we now know. The idea of the moon coming to life and being inhabited by beings that live underground in it's hollowed out shell may be pushing the realms of belief too far but this is what science fiction is all about and Wells is one of the original masters as far as I'm concerned.
Wells style of writing can be hard to get into and it is a slow start with some parts that seem to just be put in there for the heck of it, but I imagine they exist in order to pad out the story or give it some depth... or something. Overall I can see why this book has lasted but at the same time there is a reason it is a little less well-known than his others. It doesn't have that extra something (in the case of War of the Worlds we'll call it fear) that draws you so into the book it becomes something you carry with you.
A book that really can be nothing but early 20th century sci-fi it lives up to the expectations but, in certain parts, can't seem to break through and go beyond. From a modern point of view I didn't find myself overly excited upon finishing this, but I can see how it would have grabbed the imaginations of contemporary readers.
If you're a fan of Wells' other works then please, by all means, read this book. If you're interested in early 20th Century works then, again, read it. If you're interested in any part of this book then I can tell you that you will not have wasted any time reading it, but I don't think you'll come away from it changed or affected by it in any way.
Bedford and the professor (mainly the professor) come up with a plan to make a sphere container out of the material that's large enough to carry them and some supplies up to the moon. With a large explosion and then some very complicated shutter opening and closing in certain sequences the two eventually find themselves on the cold satellite. At first all is as it would appear to the reader of the time, freezing cold, rocky with minimum atmosphere, just enough to be breathable. It isn't until the sun shines that things start to change. With quick growing flora sprouting up the two men suddenly find themselves on a wholly different world and the events that ensue would've caused some readers of the time to look at this familiar rock in their night skies in a different way.
Some of the aspects in this book were very much ahead of Wells' time and I enjoy being able to look back with my 21st Century knowledge and marvel at how things were perceived, either accurately or differently from the reality we now know. The idea of the moon coming to life and being inhabited by beings that live underground in it's hollowed out shell may be pushing the realms of belief too far but this is what science fiction is all about and Wells is one of the original masters as far as I'm concerned.
Wells style of writing can be hard to get into and it is a slow start with some parts that seem to just be put in there for the heck of it, but I imagine they exist in order to pad out the story or give it some depth... or something. Overall I can see why this book has lasted but at the same time there is a reason it is a little less well-known than his others. It doesn't have that extra something (in the case of War of the Worlds we'll call it fear) that draws you so into the book it becomes something you carry with you.
A book that really can be nothing but early 20th century sci-fi it lives up to the expectations but, in certain parts, can't seem to break through and go beyond. From a modern point of view I didn't find myself overly excited upon finishing this, but I can see how it would have grabbed the imaginations of contemporary readers.
If you're a fan of Wells' other works then please, by all means, read this book. If you're interested in early 20th Century works then, again, read it. If you're interested in any part of this book then I can tell you that you will not have wasted any time reading it, but I don't think you'll come away from it changed or affected by it in any way.
Labels:
book review,
First Men In The Moon,
H. G. Wells
Sunday, 10 June 2012
The Devil In The White City by Erik Larson
Despite reading like a fiction novel this is, in fact, classed as non-fiction. Based upon the events leading up to and during the 1893 World's Fair in Chicago this book interweaves the lives of the the architect behind the fair, Daniel H. Burnham, and Dr H. H. Holmes, a serial killer who lured mainly female victims to his 'Murder Castle'.
This book is filled with accurate details and descriptions that bring the scenes and the troubles and tragedies surrounding the World Fair that has to follow the Paris spectacular that brought about the Eiffel Tower. As well as this we have the facts from letters between architects, from the court documents and police files on the case. Everything quoted is from a source with references at the back.
Having been told that it was a non-fiction I wasn't quite expecting it to have been written in such a novelistic form.
We start with the build up to which city is going to host the World Fair, Chicago isn't seen as a big competitor until later on and the shock when it gets the honour is aptly described with all the reactions from other cities press articles etc. On the World Fair point of view Larson gives us a comprehensive and intriguing telling of the gambles and high stakes that architects, inventors and engineers alike all had to deal with in order to gain the public's admiration and not be considered a failure after Paris' showing.
Drawing on rich tapestry of press articles and meeting minutes as well as insightful personal journals and letters we get a glimpse into the mind of Daniel Burnham and the pressure he was under to enlist the right architects and engineers and sell them his and his partner's, John Root's, vision. This way of setting things out breaks apart the tediousness that many would feel reading about political movements, weather, money and egos at war and instead brings life to the characters and shows how they had to work around each obstacle to try to get it all to open on time.
On the other side of the story we have Dr Holmes, born as Herman Webster Mudgett (that'd make me change my name too!). Early on he became skilled in scams and later murders, he had a mind that seems just twisted enough to come up with inventive ways to kill and easily dispose of victim's bodies. With a string of marriages, annulments and wives/lovers & their families disappearing he was still clever enough to make sure he didn't get caught.
Holmes created himself to appear as a successful businessman and, with the Columbian Exposition becoming popular, he raised himself in people's expectations and designed a hotel as part of his business, with a few 'extras' that the guests wouldn't know about until it was too late. Holmes himself decided who he would allow to stay at this hotel allowing only women who were travelling alone in the city, especially those whose personalities allowed him to charm them and become the dominant one in a doomed relationship, whilst he turned away any males by claiming to be full up. It was this way of thinking, of choosing his victims, that made him even more fearsome - he could get away with a lot and could've done so a lot longer if he hadn't slipped up near the end.
Thankfully, in my opinion, Larson doesn't go into analysing Holmes' mind, instead he sticks to giving us the facts (apart from one or two injectures that are mainly there to make it appear more like a novel) and allowing us to come to our own conclusions. We are left to come to our own conclusions and search out the juxtaposition of the two stories ourselves, with barely noticeable nudges from Larson.
The contrast between Holmes' psychopathic mind and the glory of human achievement created from those of the fair's directors can fail to impress upon the reader at first, but it is there, somewhere amongst the tragedy and horror and the glorious descriptions of the breaking ground architecture.
I have never been a big non-fiction fan but if it were all written like this, with such an eye for detail and an engaging way of writing, I'm sure I'd invest in more books. Larson has created a time machine in his book yet still managed to leave enough unsaid for the reader to fill in themselves. Sometimes a book can be better for what is left out.
A highly recommended read that I didn't put down (seriously, done in a day).
This book is filled with accurate details and descriptions that bring the scenes and the troubles and tragedies surrounding the World Fair that has to follow the Paris spectacular that brought about the Eiffel Tower. As well as this we have the facts from letters between architects, from the court documents and police files on the case. Everything quoted is from a source with references at the back.
Having been told that it was a non-fiction I wasn't quite expecting it to have been written in such a novelistic form.
We start with the build up to which city is going to host the World Fair, Chicago isn't seen as a big competitor until later on and the shock when it gets the honour is aptly described with all the reactions from other cities press articles etc. On the World Fair point of view Larson gives us a comprehensive and intriguing telling of the gambles and high stakes that architects, inventors and engineers alike all had to deal with in order to gain the public's admiration and not be considered a failure after Paris' showing.
Drawing on rich tapestry of press articles and meeting minutes as well as insightful personal journals and letters we get a glimpse into the mind of Daniel Burnham and the pressure he was under to enlist the right architects and engineers and sell them his and his partner's, John Root's, vision. This way of setting things out breaks apart the tediousness that many would feel reading about political movements, weather, money and egos at war and instead brings life to the characters and shows how they had to work around each obstacle to try to get it all to open on time.
On the other side of the story we have Dr Holmes, born as Herman Webster Mudgett (that'd make me change my name too!). Early on he became skilled in scams and later murders, he had a mind that seems just twisted enough to come up with inventive ways to kill and easily dispose of victim's bodies. With a string of marriages, annulments and wives/lovers & their families disappearing he was still clever enough to make sure he didn't get caught.
Holmes created himself to appear as a successful businessman and, with the Columbian Exposition becoming popular, he raised himself in people's expectations and designed a hotel as part of his business, with a few 'extras' that the guests wouldn't know about until it was too late. Holmes himself decided who he would allow to stay at this hotel allowing only women who were travelling alone in the city, especially those whose personalities allowed him to charm them and become the dominant one in a doomed relationship, whilst he turned away any males by claiming to be full up. It was this way of thinking, of choosing his victims, that made him even more fearsome - he could get away with a lot and could've done so a lot longer if he hadn't slipped up near the end.
Thankfully, in my opinion, Larson doesn't go into analysing Holmes' mind, instead he sticks to giving us the facts (apart from one or two injectures that are mainly there to make it appear more like a novel) and allowing us to come to our own conclusions. We are left to come to our own conclusions and search out the juxtaposition of the two stories ourselves, with barely noticeable nudges from Larson.
The contrast between Holmes' psychopathic mind and the glory of human achievement created from those of the fair's directors can fail to impress upon the reader at first, but it is there, somewhere amongst the tragedy and horror and the glorious descriptions of the breaking ground architecture.
I have never been a big non-fiction fan but if it were all written like this, with such an eye for detail and an engaging way of writing, I'm sure I'd invest in more books. Larson has created a time machine in his book yet still managed to leave enough unsaid for the reader to fill in themselves. Sometimes a book can be better for what is left out.
A highly recommended read that I didn't put down (seriously, done in a day).
Saturday, 9 June 2012
The Blade Itself by Joe Abercrombie
The first in a fantasy series (the First Law trilogy & two stand-alones) I have been keeping this book in the back of my mind for a while now.
As the first in a trilogy we are given the introductions to the main (and not so main) characters: Logen the barbaric Northmen who actually has a good head on his shoulders and has quite a few pacifist moments, Inquistor Glokta the crippled soldier turned torturer who has a dry, slightly twisted sense of humour (he made me laugh!), Captain Jezal dan Luthar the epitome of careless selfish officer/playboy/man about town who is only taking part in a tournament for the glory it'll bring him and then we have the Magus Bayaz who remains mysterious and aloof from the moment we meet him to the end of this book.
This book is split between different character's viewpoints (which I'm rather enjoying recently) and each point of view gets something worthwhile or significant before moving on, thus making sure we don't feel the need to start skipping over any particular character's section.
The book begins with Logen Ninefingers (go on, guess how many fingers he has :P) being chased/attacked in a forest by Shankas - what appear to be a ruthless race of creatures that are trying to take over the North lands. From there it moves south to the main city, Adua, where we find most of the Union's army, including Captain Luthar - the current golden-boy, practising or getting excited for the upcoming competition. Deep in the dungeons of the castle we find the crippled Inquisitor Glokta and his dry sense of humour, working away to get prisoners to confess by any means necessary - and he has some rather effective means. We learn that he had once been the golden boy and competition winner before being captured and held by enemies for two years, returning as just a shadow of his former self. This past doesn't exactly make him enamoured with Captain Luthar (though Luthar's attitude alone would turn most people off, I'm sure).
Unfortunately events are unfolding that will make the competition seem like child's play, if events weren't happening in a fantasy book I'd probably be rather disappointed to be honest, and Logen finds himself brought down from the North Lands to Adua in fairly intriguing circumstances that he has absolutely no interest in. Where most heroes/anti-heroes would want to know the ins and outs of what's going on Logen just needs to look out for himself, have a small bit of revenge on an old foe and make sure not to die. Outside of this he doesn't want to get involved in the politics.
The set up of the 'Union' kingdom itself reminded me slightly of the Roman Empire with the main, more civilised city in the centre of things but it's more outlying settlements facing threats. The first book is more concerned with Angland's threat from the Northern ruler Bethod, who brought together the warring tribes of the north under him in order to all focus on taking on the Union. We do, however, get hints of trouble down south from an empire that surrounds their most southern settlement.
In all I found this book to be rather a good read and much different from a lot of your average fantasies, even some of the ones that are trying to be different. Joe Abercrombie has given us a different insight into your typical fantasy characters and has done it well. The descriptions he gives and lack of reader's hand holding that he doesn't do helps you get into the story more without having to worry about stopping mid-flow for a quick run-down of why someone is doing something.
If you enjoy fantasy but find that most of the books on offer are becoming a bit too predictable then I suggets this as a way of getting out of that slump. Funny at times, dark and confusing at others this was definitely a good choice on my part - but might I suggest getting the second book on hand before starting - these first in a series books do leave you hanging!
As the first in a trilogy we are given the introductions to the main (and not so main) characters: Logen the barbaric Northmen who actually has a good head on his shoulders and has quite a few pacifist moments, Inquistor Glokta the crippled soldier turned torturer who has a dry, slightly twisted sense of humour (he made me laugh!), Captain Jezal dan Luthar the epitome of careless selfish officer/playboy/man about town who is only taking part in a tournament for the glory it'll bring him and then we have the Magus Bayaz who remains mysterious and aloof from the moment we meet him to the end of this book.
This book is split between different character's viewpoints (which I'm rather enjoying recently) and each point of view gets something worthwhile or significant before moving on, thus making sure we don't feel the need to start skipping over any particular character's section.
The book begins with Logen Ninefingers (go on, guess how many fingers he has :P) being chased/attacked in a forest by Shankas - what appear to be a ruthless race of creatures that are trying to take over the North lands. From there it moves south to the main city, Adua, where we find most of the Union's army, including Captain Luthar - the current golden-boy, practising or getting excited for the upcoming competition. Deep in the dungeons of the castle we find the crippled Inquisitor Glokta and his dry sense of humour, working away to get prisoners to confess by any means necessary - and he has some rather effective means. We learn that he had once been the golden boy and competition winner before being captured and held by enemies for two years, returning as just a shadow of his former self. This past doesn't exactly make him enamoured with Captain Luthar (though Luthar's attitude alone would turn most people off, I'm sure).
Unfortunately events are unfolding that will make the competition seem like child's play, if events weren't happening in a fantasy book I'd probably be rather disappointed to be honest, and Logen finds himself brought down from the North Lands to Adua in fairly intriguing circumstances that he has absolutely no interest in. Where most heroes/anti-heroes would want to know the ins and outs of what's going on Logen just needs to look out for himself, have a small bit of revenge on an old foe and make sure not to die. Outside of this he doesn't want to get involved in the politics.
The set up of the 'Union' kingdom itself reminded me slightly of the Roman Empire with the main, more civilised city in the centre of things but it's more outlying settlements facing threats. The first book is more concerned with Angland's threat from the Northern ruler Bethod, who brought together the warring tribes of the north under him in order to all focus on taking on the Union. We do, however, get hints of trouble down south from an empire that surrounds their most southern settlement.
In all I found this book to be rather a good read and much different from a lot of your average fantasies, even some of the ones that are trying to be different. Joe Abercrombie has given us a different insight into your typical fantasy characters and has done it well. The descriptions he gives and lack of reader's hand holding that he doesn't do helps you get into the story more without having to worry about stopping mid-flow for a quick run-down of why someone is doing something.
If you enjoy fantasy but find that most of the books on offer are becoming a bit too predictable then I suggets this as a way of getting out of that slump. Funny at times, dark and confusing at others this was definitely a good choice on my part - but might I suggest getting the second book on hand before starting - these first in a series books do leave you hanging!
Friday, 25 May 2012
The Mystery Of Edwin Drood by Charles Dickens
I'd like to start by saying, to any who don't already know, that this is Charles Dickens unfinished book. He died before he could finish it (and left no useful notes for anyone to let us in on the ending - very careless).
The book is set in fictional Cloisterham, thought to be based on Rochester in Kent, and follows the main character Edwin Drood and his uncle John Jasper, the cathedral's choir-master.
Edwin has been betrothed to Rosa Bud since they were young children and both were orphaned young. As they were given no choice over the engagement they seem to take it for granted that they will marry but are constantly seen arguing with one another. It is not thought that, given the option, they would've ended up with each other as they seem such an imperfect match.
Edwin and his uncle's relationship, however, is a lot friendlier. With only 6 years age difference between them John seems to worship 'Ned' as incapable of doing anything wrong. This is more of a friendship relationship with Jasper occasionally giving advice, than that of an uncle and nephew. However, this relationship turns out to be sliughtly blighted by Jasper's fascination with Rosa and his use of Opium, taking him up to an opium house in London on occasion. He passes his withdrawal symptoms off as bouts of pain and Rosa doesn't tell Edwin too much about her tutor's infatuation with her due to their close relationship.
The story follows the inhabitants and clergymen of Cloisterham, the arrival of two new characters, Neville & Helena Landless, from Ceylon, Rosa and Edwin reaching the conclusion in their relationship and tragedy befalling the city of Cloisterham. This is a great work by Dickens and would've been one fo my favourites so far... if it had been finished. Unfortunately the conclusion of events and the tragedy/foul play never happens and we are left guessing what happened through whatever clues we have been given.
As Dickens last work I found this to be well written, with all the long windedness of previous works out of his system and pages upon pages of descriptions cut down to just a paragraph. The characters were well-rounded individuals, or as well-rounded an individual can be when written in Dickens way of parodying the typical characters of his time whilst also dealing with his morbid moods near the end of his life. John Jasper with his dark secret hidden behind the mask of a caring choir-master and music tutor is definitely the better written of all the characters because of his multi-layered characteristics.
I thought that, by going into this book knowing that it didn't have an ending, I'd be alright with that fact. I wasn't, at all, not even a little bit! That bloomin' Dickens had the audacity to write a gripping murder mystery, drag the reader in and then keel over before telling us what happened - how rude!
Aside from that though I highly recommend this book. Not just to Dickens lovers, not just to murder mystery lovers but to everyone. This is a classic that needs reading (and I just want everyone to feel as annoyed and confused as I do) and as it's only half finished it's not exactly a 'Great Expectations' feat.
The book is set in fictional Cloisterham, thought to be based on Rochester in Kent, and follows the main character Edwin Drood and his uncle John Jasper, the cathedral's choir-master.
Edwin has been betrothed to Rosa Bud since they were young children and both were orphaned young. As they were given no choice over the engagement they seem to take it for granted that they will marry but are constantly seen arguing with one another. It is not thought that, given the option, they would've ended up with each other as they seem such an imperfect match.
Edwin and his uncle's relationship, however, is a lot friendlier. With only 6 years age difference between them John seems to worship 'Ned' as incapable of doing anything wrong. This is more of a friendship relationship with Jasper occasionally giving advice, than that of an uncle and nephew. However, this relationship turns out to be sliughtly blighted by Jasper's fascination with Rosa and his use of Opium, taking him up to an opium house in London on occasion. He passes his withdrawal symptoms off as bouts of pain and Rosa doesn't tell Edwin too much about her tutor's infatuation with her due to their close relationship.
The story follows the inhabitants and clergymen of Cloisterham, the arrival of two new characters, Neville & Helena Landless, from Ceylon, Rosa and Edwin reaching the conclusion in their relationship and tragedy befalling the city of Cloisterham. This is a great work by Dickens and would've been one fo my favourites so far... if it had been finished. Unfortunately the conclusion of events and the tragedy/foul play never happens and we are left guessing what happened through whatever clues we have been given.
As Dickens last work I found this to be well written, with all the long windedness of previous works out of his system and pages upon pages of descriptions cut down to just a paragraph. The characters were well-rounded individuals, or as well-rounded an individual can be when written in Dickens way of parodying the typical characters of his time whilst also dealing with his morbid moods near the end of his life. John Jasper with his dark secret hidden behind the mask of a caring choir-master and music tutor is definitely the better written of all the characters because of his multi-layered characteristics.
I thought that, by going into this book knowing that it didn't have an ending, I'd be alright with that fact. I wasn't, at all, not even a little bit! That bloomin' Dickens had the audacity to write a gripping murder mystery, drag the reader in and then keel over before telling us what happened - how rude!
Aside from that though I highly recommend this book. Not just to Dickens lovers, not just to murder mystery lovers but to everyone. This is a classic that needs reading (and I just want everyone to feel as annoyed and confused as I do) and as it's only half finished it's not exactly a 'Great Expectations' feat.
Sunday, 20 May 2012
The Insidious Dr Fu-Manchu by Sax Rohmer
Written in 1913 I feel it best to warn anyone who picks this book up that you will find racial slurs and prejudices in there that were acceptable at the time.
Following the sudden appearance at his home by his old friend and rather mysterious man with connections, Nayland Smith, Dr Petrie finds himself embroiled in a chase about London after the mysterious Dr Fu-Manchu. Skilled in sciences beyond their (and, at one point, our) comprehension their foe is always two steps ahead and increasing his body count as he goes.
Smith describes his foe as "tall, lean, and feline, with a brow like Shakespeare and a face like Satan," which really says it all about the sort of character we're expecting him to be.
Smith & Petrie go tearing through London trying to save the lives of rather influential figures in a way rather reminiscent of Holmes and Watson (though Smith isn't as glorious in his deductions and Petrie's quicker on the uptake than Watson). In fact, at the beginning of the book there were one or two scenes in which a man had been found dead in a locked study with no clue of how it happened and I started thinking that maybe I'd already read this book!
Looking past the non-pc terms we are given a good action book that would do well for any of the more grown up 'Boys Own' reader and with the fast paced action and mysterious plot twists it does well to keep the reader enthralled.
Unfortunately this book is all about the action and we learn nothing about the characters involved. They all seem to be one-dimensional with no building of personalities beneath the obvious 'what you see is what you get' written on paper.
I enjoyed this book for what it was, a quick read for action and an attempt to cash in late on the Holmes style of plot. Don't expect your mind to be particularly stressed when reading this and put your modern day political correct thinking on the shelf and read this as an example of popular 'pulp book' fiction back in it's day. If you enjoy this then I have found out that it is only the first in a series. If you carry on with them then feel free to drop me a line and let me know how you found them!
Following the sudden appearance at his home by his old friend and rather mysterious man with connections, Nayland Smith, Dr Petrie finds himself embroiled in a chase about London after the mysterious Dr Fu-Manchu. Skilled in sciences beyond their (and, at one point, our) comprehension their foe is always two steps ahead and increasing his body count as he goes.
Smith describes his foe as "tall, lean, and feline, with a brow like Shakespeare and a face like Satan," which really says it all about the sort of character we're expecting him to be.
Smith & Petrie go tearing through London trying to save the lives of rather influential figures in a way rather reminiscent of Holmes and Watson (though Smith isn't as glorious in his deductions and Petrie's quicker on the uptake than Watson). In fact, at the beginning of the book there were one or two scenes in which a man had been found dead in a locked study with no clue of how it happened and I started thinking that maybe I'd already read this book!
Looking past the non-pc terms we are given a good action book that would do well for any of the more grown up 'Boys Own' reader and with the fast paced action and mysterious plot twists it does well to keep the reader enthralled.
Unfortunately this book is all about the action and we learn nothing about the characters involved. They all seem to be one-dimensional with no building of personalities beneath the obvious 'what you see is what you get' written on paper.
I enjoyed this book for what it was, a quick read for action and an attempt to cash in late on the Holmes style of plot. Don't expect your mind to be particularly stressed when reading this and put your modern day political correct thinking on the shelf and read this as an example of popular 'pulp book' fiction back in it's day. If you enjoy this then I have found out that it is only the first in a series. If you carry on with them then feel free to drop me a line and let me know how you found them!
Labels:
book review,
Sax Rohmer,
The Insidious Dr Fu Manchu
Wednesday, 16 May 2012
Unnatural Time by Julio Angel Ortiz
A short story (about 40 pages or so on my eReader) that follows a retired grim reaper and a discharged cherub as they investigate a Mr Kite's Cavalcade.
The premise is that Peter (the cherub) and Palequus are to investigate Mr Kite's innocuous seeming cavalcade for more sinister reasons. In the meantime, however, they are invited to look around what appears to be a travelling fair of the great mysteries and such stuff from around the universe in order to see that nothing out of place was happening. This is when we could've been given brief glimpses of background stories and more character build-up but I'm afraid that wasn't the case.
The story itself would work if it was one of many cases that appeared in a longer book format - this is almost like a tease of what could be something that I'd happily buy. The characters, whilst not built on much, are just interesting enough for you to want to know more about them and how they ended up working together. The premise of a company being out there to investigate any illegal going-ons in the universe is quite intriguing to me.
This is an entertaining quick read and good to just pick up - especially if this sort of premise interests you in any way, shape or form.... now I just need to convince the author to make a big case studies type book out of it :)
The premise is that Peter (the cherub) and Palequus are to investigate Mr Kite's innocuous seeming cavalcade for more sinister reasons. In the meantime, however, they are invited to look around what appears to be a travelling fair of the great mysteries and such stuff from around the universe in order to see that nothing out of place was happening. This is when we could've been given brief glimpses of background stories and more character build-up but I'm afraid that wasn't the case.
The story itself would work if it was one of many cases that appeared in a longer book format - this is almost like a tease of what could be something that I'd happily buy. The characters, whilst not built on much, are just interesting enough for you to want to know more about them and how they ended up working together. The premise of a company being out there to investigate any illegal going-ons in the universe is quite intriguing to me.
This is an entertaining quick read and good to just pick up - especially if this sort of premise interests you in any way, shape or form.... now I just need to convince the author to make a big case studies type book out of it :)
Labels:
book review,
Julio Angel Ortiz,
Unnatural Time
Sunday, 13 May 2012
Just An Announcement
I've looked through my eReader and realised I have one or two indie eBooks from when I first got my little eReader that I haven't got round to reading.
This seems unfair that I have all these popular books marked down as 'dusty' and seem to have missed off some of these ones so I shall endeavour to change that and add in the indie ones - heck, I've found a fab author from Smashwords so who knows what I'll find :D
I'm also hoping, in future, to be putting myself out there for any authors who are wanting reviews for their work. Anyone talented and brave enough to put the culmination of all their hard work out there for the public to see deserves all my support and unbiased reviews :)
Next book to read will be Unnatural Time by Julio Angel Ortiz.
This seems unfair that I have all these popular books marked down as 'dusty' and seem to have missed off some of these ones so I shall endeavour to change that and add in the indie ones - heck, I've found a fab author from Smashwords so who knows what I'll find :D
I'm also hoping, in future, to be putting myself out there for any authors who are wanting reviews for their work. Anyone talented and brave enough to put the culmination of all their hard work out there for the public to see deserves all my support and unbiased reviews :)
Next book to read will be Unnatural Time by Julio Angel Ortiz.
Saturday, 12 May 2012
A Game Of Thrones by George R. R. Martin Part Two
So this is it - Book one of this series is finished and, as much as I loved it, I can't move straight on to the second book. This isn't because I don't have the second book, I have the first four, it's because the first book asks the reader to give it your feelings and brain power, screws around with both for the entire time you're reading and then hands them back to you at the end as a screwed up, drained mess before daring you to pick up the second book. Now I don't know about you folks but I need time to straighten my head and heart out again and let them fill back up before jumping back in the ring!
What also doesn't help is the fact that all of the chapters (as mentioned in review Part One) are written from the perspectives of different main characters (about eight of them taking turns) so you do end up sympathising with all of them at some point or another which means that a fondness for them all takes root - and this is deadly! Martin's world isn't one where bad guys always get their come-uppance (points if you get the bad movie reference) and the good guys come out on top. No, this world is life, this is reality in a book dealing with the fact that there are real shades of grey and keeping to your honour or doing the 'right thing' won't always get you rewarded.
Unfortunately I can't really tell you much about the plot without giving anything away and being lambasted for even the slightest spoiler so I'm really just sticking to my feelings here.
This book, this series probably, is fantasy writing on a dark, gritty scale. No magic, no foolish wand waving, this is all about creating a believable world with believable, flawed characters. Even the most honourable appearing person is shown to have flaws on some level and it is that sort of thing that will make you keep coming back to the book even after you've had to put it down for making you upset or angry.
The whole setting of the lands and the people in them are believable in that you're pretty sure that's exactly how real people would act given their statuses and situations they find themselves in, they all have doubts and all make mistakes - which is human nature - and it's captured and written down well. This sort of political intrigue and trickery along with the battles and suspense has ruined me for other fantasy books out there as I found myself in a bookshop today thinking 'hmm, doesn't sound as good as...' and putting books back on the shelf!
What George R. R. Martin has created here is something that may come close to my favourite fantasy book, Gormenghast (Mervyn Peake), in it's writing, showing human nature in all it's glory - warts, lies and all - and still managing to have so many underlying story plot threads that are barely visible to the reader and only being hinted at.
I strongly suggest this book to any epic fantasy lovers who want something a bit different from the standard offerings in that section. I will happily be moving on to the second book once I've had enough time to iron my inner self out.
What also doesn't help is the fact that all of the chapters (as mentioned in review Part One) are written from the perspectives of different main characters (about eight of them taking turns) so you do end up sympathising with all of them at some point or another which means that a fondness for them all takes root - and this is deadly! Martin's world isn't one where bad guys always get their come-uppance (points if you get the bad movie reference) and the good guys come out on top. No, this world is life, this is reality in a book dealing with the fact that there are real shades of grey and keeping to your honour or doing the 'right thing' won't always get you rewarded.
Unfortunately I can't really tell you much about the plot without giving anything away and being lambasted for even the slightest spoiler so I'm really just sticking to my feelings here.
This book, this series probably, is fantasy writing on a dark, gritty scale. No magic, no foolish wand waving, this is all about creating a believable world with believable, flawed characters. Even the most honourable appearing person is shown to have flaws on some level and it is that sort of thing that will make you keep coming back to the book even after you've had to put it down for making you upset or angry.
The whole setting of the lands and the people in them are believable in that you're pretty sure that's exactly how real people would act given their statuses and situations they find themselves in, they all have doubts and all make mistakes - which is human nature - and it's captured and written down well. This sort of political intrigue and trickery along with the battles and suspense has ruined me for other fantasy books out there as I found myself in a bookshop today thinking 'hmm, doesn't sound as good as...' and putting books back on the shelf!
What George R. R. Martin has created here is something that may come close to my favourite fantasy book, Gormenghast (Mervyn Peake), in it's writing, showing human nature in all it's glory - warts, lies and all - and still managing to have so many underlying story plot threads that are barely visible to the reader and only being hinted at.
I strongly suggest this book to any epic fantasy lovers who want something a bit different from the standard offerings in that section. I will happily be moving on to the second book once I've had enough time to iron my inner self out.
Labels:
A Game Of Thrones,
book review,
George R. R. Martin
Thursday, 26 April 2012
A Game Of Thrones by George R. R. Martin - Part One
Allow me to explain: this is a big book, a very big book, that may take me a while to get through, just like Pillars Of The Earth did. As such I have decided that it may be an idea to write a 'kind of review' up to the point where I have read. A lot happens throughout that would take up a lot of space reviewing if done altogether - and I can't promise I'd remember every great thing that happened in it if I waited until the end.I am up to chapter 35 out of about 70 odd so things are really just kicking off and there are still a few threads loose in the ether that need to be tied in. I say chapter 35 but in reality the chapters aren't numbered - they are given the name of the character we are following and it is then written in a predominantly third person p.o.v which is limited by what only the character can see/hear.
A Song Of Ice and Fire is an well written fantasy series set in the continents of Westeros and Essos. At the beginning of the book (and still up to this point) Westeros is a land at peace that is broken into seven kingdoms, from Winterfell in the Northern lands ruled by the Starks down to King's Landing where (as guessed in the name) the current royal family reside and further south (though I have yet to be taken to that area so no idea yet). In the prologue we are introduced to the land beyond The Wall, a large structure further north than Winterfell, that was built to keep 'The Others' from crossing into Westeros.
The start of this book pulls you in with death and suspense and mystery but don't you dare start thinking that this book is all about fighting and other types of action, I don't believe it would have stood the test of time quite so well if it was! The chapters that follow are more about political intrigue and the workings of a court than anything else but don't let this put you off as it's intertwined with the story in such a way for it to become interesting or just mentioned in passing through one of the character's chapters.
After the King's Hand dies King Robert asks for Eddard Stark, Lord of Winterfell and old friend, to take up the position. Ned is reluctant but persuaded by his wife Catelyn Stark, nee Tully, that it could be a good thing for their family. On top of that they've just found a message from her sister that the last Hand's death may not have been entirely natural, so let's take the position and then have Ned look into it whilst he's down there - that's not putting him in a dangerous position at all, is it dear reader?!
With family problems abound and finding out his friend is not a friend anymore but a King and a stranger there's no question that Lord Stark is going to have issues in his new position of power. It really doesn't help that there's a new threat to the peace on the horizon that they've only just been informed could happen. It's annoying when us readers know what's being planned by those sly Targayen's but can't quite make our voices heard through the book ;)
This section ends with Ned Stark finally having a moment of realisation and doing something rather sensible (this is him though, he's always the sensible one) and now leaving me eager to keep reading on, worried about what will happen to these characters I've come to love and seen some of them mature. I speak mainly of Arya Stark and Jon Snow (Ned's illegitimate son). One having to learn how to behave like a lady in public and the other learning that life's tough outside the protection of his father, especially when you end up guarding The Wall. These two characters are definitely my favourites, as I'm sure Martin wrote them to be.
This is definitely an epic-fantasy that deserves all the attention it has recently started receiving. It may be in the fantasy section but it steers closer to politics and swords than the sorcery side of things and for this I'm glad. I highly recommend this for those fantasy lovers who have been absent from that section for a while or who were scared off by the recurring themes of magical elements or wizards at war etc etc (as I was) - go on, get your teeth into something grittier and less 'magic saves some world'.
I will be watching the TV show after I've read the second book (at the earliest).
Part two will follow soon, I hope.
Wednesday, 11 April 2012
My Other Blog
Hello all,
I have a favour to ask of you I'm afraid.... No, wait!! Please come back!! It's nothing massive I promise!
All I'm asking is that you please check out a separate blog that I have set aside for my writing attempts. It's still in the first desgins of beings et up and some of the first few random ramblings are a few years old by now but I am currently working on my own piece of fiction (has been posted in Fictionpress.net too) and I'd really appreciate some feedback or even just some knowledge that people have seen it.
The site address is : http://beesbuzzoriginal.blogspot.co.uk/ Chapter 1 of my work has just been posted (yes, that is it's current title and no it won't stay that forever!).
Thanks guys and gals, it does mean a lot!
I have a favour to ask of you I'm afraid.... No, wait!! Please come back!! It's nothing massive I promise!
All I'm asking is that you please check out a separate blog that I have set aside for my writing attempts. It's still in the first desgins of beings et up and some of the first few random ramblings are a few years old by now but I am currently working on my own piece of fiction (has been posted in Fictionpress.net too) and I'd really appreciate some feedback or even just some knowledge that people have seen it.
The site address is : http://beesbuzzoriginal.blogspot.co.uk/ Chapter 1 of my work has just been posted (yes, that is it's current title and no it won't stay that forever!).
Thanks guys and gals, it does mean a lot!
Saturday, 7 April 2012
Sense and Sensibility by Jane Austen
This has always been one of those books I wanted to get around to reading but always ended up being pushed aside for something new. Definitely a shame because this is a good book.
The book follows the lives of the Dashwood family: Mrs Dashwood and her three daughters Elinor, Marianne and Margaret from the time of the death of Mr Dashwood through to their having to move out of the family home, Norland, to make way for their rather selfish half-brother (from Mr Dashwood's previous marriage) along with his even worse wife and into a smaller cottage in Devonshire. They are then introduced to Mrs Dashwood's family, the Middletons, who in turn introduce them to their circle of friends and then we start to see events unfold.
This book is set mainly from the eldest sister, Elinor's, view on events. She is the most sensible, emotionally reserved out of her and her second sister, Marianne. Unfortunately Margaret does not get much of a look-in in this book as she is the youngest and so seen to be not yet of an age where she is victim to all the love entanglements, misunderstandings and social requirements that her two elder sisters find themselves subject to.
Elinor, whilst still residing at Norland, found herself being paid attention by the new Mrs Dashwood's brother, Edward Ferrars and secretly hopes this may continue after the move, even with Mrs Fanny Dashwood informing Elinor's mother that this relationship could never happen. Marianne, meanwhile, has no romantic interests when they move. However, as the more romantic and dramatic of the two sisters, you can be sure that this could easily change. She is 16/17 at the start of the book and full of ideas of how a man should be and what sort of relationship she would look for. A potential suitor, Colonel Brandon, is suitably put down by her as being too old (he is 35) and her descriptions of how she imagines that marriage to be on her part are rather hilarious (she sees herself as more of a nursemaid than a wife). It is after this that she meets Mr John Willoughby, through a rather 'damsel in distress' moment, and they start to be seen as courting by those around them.
Now, this all seems rather simple and set out but Miss Austen has a few twists and turns up her sleeve that I shan't spoil for you. All I shall say is that the only seemingly constant men throughout this book are those already married and Colonel Brandon.
Austen is really capable of showing the characters growth throughout this book, whether it's Marianne needing to mature or Elinor needing to show her emotions more, even to the point of showing the men noticing that they need to change in order to be happy. These characters became real people to me and I found myself buried in their world (I had to remind myself to stop speaking 'Austen' at times before I received funny looks) and investing my feelings in the outcome of their situations.
This is well written and an enjoyable read with Austen managing to set the scenes well whilst also conveying across Elinor's feelings on every situation she has to face. You really end up feeling for Elinor as she hides her own miseries whilst dealing with Marianne's dramatic reactions to what happens to her. I found Elinor to be my favourite of the two sisters, she is constant and loyal to her family at the same time as keeping her own feelings to herself whilst still holding on to any hope.
The most common reaction to my telling people I was reading this book was 'I preferred Pride & Prejudice to Sense & Sensibility' or vise versa. As I have yet to read P&P (I know, terrible) I cannot give my verdict but I'm happy to say that, if the rest of her books are like this one and Emma, then Jane Austen will shortly become one of my favourite authors.
If you enjoy books from this period then I highly recommend you read this, the same goes for if you have yet to dip your toe in this era but you find you want to. It takes on some problems that are still occuring today (love and the emotions that go with it don't change) and does so from two very different points of view. Bring on the next Austen, I say!
The book follows the lives of the Dashwood family: Mrs Dashwood and her three daughters Elinor, Marianne and Margaret from the time of the death of Mr Dashwood through to their having to move out of the family home, Norland, to make way for their rather selfish half-brother (from Mr Dashwood's previous marriage) along with his even worse wife and into a smaller cottage in Devonshire. They are then introduced to Mrs Dashwood's family, the Middletons, who in turn introduce them to their circle of friends and then we start to see events unfold.
This book is set mainly from the eldest sister, Elinor's, view on events. She is the most sensible, emotionally reserved out of her and her second sister, Marianne. Unfortunately Margaret does not get much of a look-in in this book as she is the youngest and so seen to be not yet of an age where she is victim to all the love entanglements, misunderstandings and social requirements that her two elder sisters find themselves subject to.
Elinor, whilst still residing at Norland, found herself being paid attention by the new Mrs Dashwood's brother, Edward Ferrars and secretly hopes this may continue after the move, even with Mrs Fanny Dashwood informing Elinor's mother that this relationship could never happen. Marianne, meanwhile, has no romantic interests when they move. However, as the more romantic and dramatic of the two sisters, you can be sure that this could easily change. She is 16/17 at the start of the book and full of ideas of how a man should be and what sort of relationship she would look for. A potential suitor, Colonel Brandon, is suitably put down by her as being too old (he is 35) and her descriptions of how she imagines that marriage to be on her part are rather hilarious (she sees herself as more of a nursemaid than a wife). It is after this that she meets Mr John Willoughby, through a rather 'damsel in distress' moment, and they start to be seen as courting by those around them.
Now, this all seems rather simple and set out but Miss Austen has a few twists and turns up her sleeve that I shan't spoil for you. All I shall say is that the only seemingly constant men throughout this book are those already married and Colonel Brandon.
Austen is really capable of showing the characters growth throughout this book, whether it's Marianne needing to mature or Elinor needing to show her emotions more, even to the point of showing the men noticing that they need to change in order to be happy. These characters became real people to me and I found myself buried in their world (I had to remind myself to stop speaking 'Austen' at times before I received funny looks) and investing my feelings in the outcome of their situations.
This is well written and an enjoyable read with Austen managing to set the scenes well whilst also conveying across Elinor's feelings on every situation she has to face. You really end up feeling for Elinor as she hides her own miseries whilst dealing with Marianne's dramatic reactions to what happens to her. I found Elinor to be my favourite of the two sisters, she is constant and loyal to her family at the same time as keeping her own feelings to herself whilst still holding on to any hope.
The most common reaction to my telling people I was reading this book was 'I preferred Pride & Prejudice to Sense & Sensibility' or vise versa. As I have yet to read P&P (I know, terrible) I cannot give my verdict but I'm happy to say that, if the rest of her books are like this one and Emma, then Jane Austen will shortly become one of my favourite authors.
If you enjoy books from this period then I highly recommend you read this, the same goes for if you have yet to dip your toe in this era but you find you want to. It takes on some problems that are still occuring today (love and the emotions that go with it don't change) and does so from two very different points of view. Bring on the next Austen, I say!
Labels:
book review,
Books,
Jane Austen,
Sense and Sensibility
Monday, 2 April 2012
Pillars Of The Earth by Ken Follett
This book is the reason I haven't posted in a while - it's a long book and I'm going to start straight off by recommending you have enough time aside to read it so you can really get into it.
I had seen the adverts on TV for the Channel 4 series and was quite interested in it, but never got around to watching it, I'm now on the lookout for the DVD set!
This book was first described to me as a soap opera with a cathedral being the main character, and that person was spot on. This is mainly set in a fictional town of Kingsbridge (there are several towns of that name in Britain but none in the location described) and it's surrounding areas. This is quite unfortunate for me as I really wanted to go visit this fictional cathedral!
Set in the 12th Century the prologue opens with the disastrous sinking of the White Ship, carrying King Henry I's only son, William along with a large entourage of the royal court. This death eventually threw the question of succession into dispute and led to years of civil war between two cousins, Stephen and Matilda, as the idea of Henry's daughter, Matilda, ruling was not yet accepted by the ruling lords and barons.
This is the background against which the story is set; very uncertain and the peasantry being at the mercy of lords and barons waging smaller wars against each other for land and power without fear of repercussion from the crown. After the prologue we are introduced to Tom Builder and his family and immediately we are shown that he is a man of principle - for himself and the people who work for him. This may not be the best thing, a peasant standing up to the son of an Earl, but it helps show the character of both Tom and the Earl's son William Hamleigh and introduces the reader to the way this novel is going to go.
'Pillars' then follows Tom through cities, towns and tragedy as he tries to find work to keep his family from starving, even almost risking his life over the family's pig. It is through this and through the eyes of other characters introduced that we get around to the building of Kingsbridge cathedral. This works for how the novel is set out and introduces the reader to the historical events taking place in the country, making sure we remember the more powerful forces affecting our characters' lives.
Follett introduces us to characters slowly and through chapters written in their own point of view, taking his time to weave all the separate stories together until you suddenly see it connect with a flash of realisation. This slow build up may seem tiresome at first and encourage you to put the book down and walk away but please don't as it builds up, connects together and I found the switch between the points of view as a good thing, it kept me reading through the slower parts.
With the obvious distinction between good and bad it is difficult for the reader to make their own mind up about the characters as Follett doesn't seem to believe in shades of grey too much, if a good person does something bad it is always justified and a bad person only does something good if it's an accidental repercussion of an attempt at a bad deed. Now, with a book like this, I don't mind that too much as the story itself allows this to flow into the background whilst the turbulent storylines and plot twists take centre stage. The characters are still padded out and made into real people and not completely predictable, although one or two characters do come close at times.
I was very interested in the building of the cathedral and it was made very obvious that Follett had done his research on this subject. It was described in a way that I found interesting and not patronizing or where I'm expected to already know the basics and just be shoved into the deep-end. I found myself visiting two cathedrals whilst I was reading the book and found it really helped me appreciate all the hard work of all the individuals that were working on these amazing buildings.
This book is definitely an epic and I would suggest putting aside a full week or two so that you can really get into the descriptions and character depths. It isn't the sort of thing you can pick up, flick through a couple of pages and then move on to do something else but it is well worth the time to pick up.
If you like historical fiction with a bit of cathedral architecture mixed in and you're looking for your next big read then this is the book for you. If you like soap opera style books that spreads over about 40/50 years and mainly focuses on a small group of people then this is also the book for you. I'm now waiting for the right time to buy the second book.
I had seen the adverts on TV for the Channel 4 series and was quite interested in it, but never got around to watching it, I'm now on the lookout for the DVD set!
This book was first described to me as a soap opera with a cathedral being the main character, and that person was spot on. This is mainly set in a fictional town of Kingsbridge (there are several towns of that name in Britain but none in the location described) and it's surrounding areas. This is quite unfortunate for me as I really wanted to go visit this fictional cathedral!
Set in the 12th Century the prologue opens with the disastrous sinking of the White Ship, carrying King Henry I's only son, William along with a large entourage of the royal court. This death eventually threw the question of succession into dispute and led to years of civil war between two cousins, Stephen and Matilda, as the idea of Henry's daughter, Matilda, ruling was not yet accepted by the ruling lords and barons.
This is the background against which the story is set; very uncertain and the peasantry being at the mercy of lords and barons waging smaller wars against each other for land and power without fear of repercussion from the crown. After the prologue we are introduced to Tom Builder and his family and immediately we are shown that he is a man of principle - for himself and the people who work for him. This may not be the best thing, a peasant standing up to the son of an Earl, but it helps show the character of both Tom and the Earl's son William Hamleigh and introduces the reader to the way this novel is going to go.
'Pillars' then follows Tom through cities, towns and tragedy as he tries to find work to keep his family from starving, even almost risking his life over the family's pig. It is through this and through the eyes of other characters introduced that we get around to the building of Kingsbridge cathedral. This works for how the novel is set out and introduces the reader to the historical events taking place in the country, making sure we remember the more powerful forces affecting our characters' lives.
Follett introduces us to characters slowly and through chapters written in their own point of view, taking his time to weave all the separate stories together until you suddenly see it connect with a flash of realisation. This slow build up may seem tiresome at first and encourage you to put the book down and walk away but please don't as it builds up, connects together and I found the switch between the points of view as a good thing, it kept me reading through the slower parts.
With the obvious distinction between good and bad it is difficult for the reader to make their own mind up about the characters as Follett doesn't seem to believe in shades of grey too much, if a good person does something bad it is always justified and a bad person only does something good if it's an accidental repercussion of an attempt at a bad deed. Now, with a book like this, I don't mind that too much as the story itself allows this to flow into the background whilst the turbulent storylines and plot twists take centre stage. The characters are still padded out and made into real people and not completely predictable, although one or two characters do come close at times.
I was very interested in the building of the cathedral and it was made very obvious that Follett had done his research on this subject. It was described in a way that I found interesting and not patronizing or where I'm expected to already know the basics and just be shoved into the deep-end. I found myself visiting two cathedrals whilst I was reading the book and found it really helped me appreciate all the hard work of all the individuals that were working on these amazing buildings.
This book is definitely an epic and I would suggest putting aside a full week or two so that you can really get into the descriptions and character depths. It isn't the sort of thing you can pick up, flick through a couple of pages and then move on to do something else but it is well worth the time to pick up.
If you like historical fiction with a bit of cathedral architecture mixed in and you're looking for your next big read then this is the book for you. If you like soap opera style books that spreads over about 40/50 years and mainly focuses on a small group of people then this is also the book for you. I'm now waiting for the right time to buy the second book.
Labels:
Ken Follett,
Pillars Of The Earth,
review
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